I’ve been reading Richard Wagamese’s Embers: One Ojibway’s Meditations again. It goes everywhere with me. I bought it at Biblioasis in Windsor last October and it’s really a bedside read that comforts me when I’m struggling with things, with big decisions, both emotional and cerebral. He centres me with his writing and teachings, reminds me that I should not imagine I have any real control over my life. (I’m not that important!) I need to trust the mystery of it all, this life I’m living. It’s worked well so far, since then, since I started reading Wagamese late last fall. I’ve added in some Buddhist readings, too, and returned to my yoga practice, so now it’s all about mindfulness and finding the poem in what I see every day. I keep my eyes open for things that are full of wonder, for things that make me catch my breath, or things that stop my heart with their beauty, and then I ponder them. One of my favourite pieces in Embers is when Wagamese writes: “Creator is everywhere and divine light shines through everything and everyone all the time. My work is to look for that light.” Looking for that light has never been more fun, and it’s usually where I least expect to find it every day.
A wise friend said to me, rather recently, that human emotion is like weather. If you think of the essence of the word “mood” and equate it to what we call “weather,” then you can kind of see what it’s all about. The wind that’s come up tonight here on Pelee Island, on my second last night, seems fierce, but the sky is beautiful and alive. I can even go out on the hillside and see stars sparkling in amidst the clouds that shift across the sky. Earlier tonight, I went out onto the East Shore beach and stood there, listening to the waves crash, and watching the sky transform itself. It made me cry.
I’m like that when I’m in amidst landscape. It’s mostly why I go into wilderness on my own, or with someone whom I really trust like my friend, Jen, because I know I’m going to feel blessed and tiny. It overwhelms me. She’s good about it when I yell out spontaneously, for no apparent reason, while canoeing, pointing at birds, or a water lily, or a turtle, or a Killarney rock face: “Oh my God! I can die now! Look at that! How beautiful is that!?” at random points in the journey. She doesn’t judge me. She loves it, which is kind of nice, because I think, most of the rest of the time, I sort of initially transfix, and then maybe really frighten, people. I can be ‘too much,’ all witchy woo and mystical, but it’s good to have at least one friend who loves me and accepts me enough to think it’s a good thing. And that she isn’t afraid to canoe and be alone with me for five hours straight is a bonus!
I’ve also learned, this year and last, with the waters of Lake Erie, and with the beauty of Manitoulin Island and Killarney, and the powerful energy of the mountains in Banff, and even in the Highlands of Scotland, that you can easily fall in love with landscape and its energetic soul. It becomes a force, an energy, and, if you’re open to these things, these elemental shifts inside your soul and then in your physical body, well, it’s as good as the perfect kiss: magic. (I still feel guilty about falling in love with Scotland. I never expected that. I always expected that Ireland would be my one true love, but my tour of the Hebrides changed that, especially in the way they seem so raw, mystical, and powerful. (Don’t worry; I’m in therapy.)
Being here on Pelee Island for two weeks has saved me. I’ve been tired. I still am, but a bit less so. Being a fairly active poet laureate of such a supportive city as Sudbury is a great honour and privilege. I take it very seriously, and I work hard to give the role the dignity it deserves. I’m proud of the work I’ve done in the last year and a half in terms of going into schools, running workshops for new and aspiring writers at the library, promoting literacy efforts, putting poetry up in public spaces, talking to teachers about how to bring poetry into their classrooms in innovative ways, advocating for mental health awareness and palliative care, and just generally trying to be supportive of our local arts and culture scene. (I’m sure people think I’m on social media all the time, but I’m not. Curating other people’s interesting posts isn’t that time consuming and my mind really doesn’t slow down. Plus, I do battle with insomnia, so that adds more hours to the day to read and write. It’s both a blessing and a curse, my being so damn creatively and socially driven.) My increased energy this year means that I’ve also shrunk a bit, and that just seems to have given me more energy. I don’t know how that works, but I’ll take it.
Being here—on an island—has forced me to slow down. It’s a retreat, maybe even a self-imposed sort of exile. Sometimes, well, I’m not good at taking care of myself first. I’ve had to be too strong for too long, for so many damn reasons. I have a history of caring too much for others, of giving too much and not receiving. I didn’t really have a role model in my life for the receiving part, which is sort of sad. I know. It’s taken me a while to get here, but I’m here now. My goal this year is about pushing against my fears, but it’s also about learning how to receive compliments, kindness and love in a more welcoming, believing and trusting way. People will need to be patient with me as I walk this new spiritual path. It takes practice and I’m breaking patterns I’ve had for half a lifetime. I think I have a problem with receiving, too, because I haven’t valued myself properly, historically. Now I do, value myself I mean, so I know I deserve to receive goodness just as much as I give it out to others. (God, isn’t this just all Oprah, Chopra, Tolle?! I’m trademarking that little phrase because it’s a line in my play!)
Since I’ve been here, just short of two full weeks now, I’ve spent hours walking down long roads on my own, or sitting on an empty beach, or meditating between two trees in the yard, watching the weather, the skies and the water, being mindful of how the birds, dragonflies, and butterflies seem to be trying to tell me secrets. I’ve gotten less pale, walking in the sun and wind, and reading outside; I’ve been bitten by the worst little flies ever, and my legs look a right mess because I’m allergic to weird bug bites, and almost everything else in life, including cats; and, I’ve fallen in front of British tourists while tripping in a pothole on the North Shore Road because I was too busy looking up at barn swallows in a field, so now there are bruises and a huge scrape on my leg to add to the bug bites. So not attractive. But happy.
I’ve been thinking about where I’ve been and, more importantly, where I’m headed in my life. I have four months left in the role of laureate and I have plans for about three more projects, along with any poetic commissions and readings that might come along. The call will go out soon for the next laureate, and I’m hoping someone in Greater Sudbury will be brave enough to apply. It’s the best thing I’ve done in my life, in terms of how rewarding it has been, but I know now it’s more than what I thought it would be, and it’s been something I would never ever do “half assed,” as my dad would have said. (I don’t do things in half measures…)
This fall, I’ve chosen to teach again part-time, so that I can really do the role of laureate justice and still give my Marymount girls my best as their senior English teacher. I’m ready for the next four months now. What comes after, though, is what I’m thinking about on a personal level. I’m single, and my family has shrunk over the last decade because of death. This is just a fact, not a way to gain sympathy or sad faces. I’m fine. Worn and weathered from too many storms, but strong. So, in February, I’m taking another leave from teaching. Coming here to Pelee Island was a way to sort through some plans, and it’s helped. I spent time talking with two close friends who live in this area and I’ll see a dear high school friend on Saturday night in Kingsville. (Fe knew I would be a writer long before I did, so I love that she lives in Harrow and that we’ve reconnected in the last few years.) Here’s the thing: I love the North with my whole heart, but I need a little sojourn to see what happens when I write somewhere new, for a longer period of time. My images and metaphors change, my ideas stretch out into new yoga poses in my mind, and I write fairly quickly down here. I have had debates with myself over the last few months, not knowing where I belong, or what place I should root in to see how its landscapes will move through me in terms of my creative process. I’ve thought about how it might feel to just not feel rooted, to just “be” for a while, to see how that would change me as a person and a writer. (I think too much.)
When I first came to Pelee Island last May for a writers’ retreat, I thought a lot of my dad, especially driving from Arthur down through Stratford to London, and then from London down to Kingsville. I stopped in Park Hill, where my paternal grandparents were from, and the landscape felt wide open. I loved the fields, and the skies that seemed to go on forever. Funny thing, though, is that my heart opened up, too, like the skies and fields around me. Landscape can do that to you, or to me, anyway. Traveling through that landscape made me miss my dad even more. We’d driven back and forth to London to visit my great-aunt, Clara, for so many years, and I really hadn’t thought that the landscape had made such an indelible impression on me. It did, though, and then it’s somehow woven itself into my memory of my father. He introduced me, too, to theatre.
In my mid-teens, my parents took us down to see plays at the Stratford Festival. I began to fall in love with it all then—plays, actors and theatre—the sound, the smell, the lights, the words, the beauty of the theatres themselves even, and the sense of anticipation when the lights go down, how you can slip into another world without worry or care. (I never imagined I’d also start to fall in love with reading and writing plays, but I have.) They weren’t wealthy, my parents, so I was always aware that they had saved a lot of money in order to take us on the way to visit our rather nasty great-aunt in London. She was very wealthy, but miserable inside. I think they thought a visit to Stratford would distract us from our visit with her, which would usually crush our little souls, but it was hard not to dislike her. I should be thankful, I think, because now I know that—because of my mostly negative experiences with her—I tend to judge people on their spirits, values, simple kindness and compassion, and not their monetary wealth or social status. The two sides aren’t always connected, in my experience. Things don’t impress me…people do.
I thought, last year as I went to down to the writers’ retreat, “Oh, God. I hate humidity. I would miss my rock cuts and tall pines. How would this work?” I looked at the possibility of change (and changing) with a lot of negativity, to be honest. I’ve changed since then. I can’t recognize myself some days, but I like who I am now, so it’s a really good thing because I go to sleep with myself at night, and then wake up with myself in the morning. Coming here for two weeks this summer was something I needed. I love water, and I fell in love with Lake Erie last May. It makes everything I’ve struggled with for most of my life seem tiny, and almost forgettable. It makes me feel small, but not in a scary way. It actually gives me myself back, in some odd way. It makes me feel like it will take care of me, which I know doesn’t make any logical sense. I know. I know. Poets. What are you going to do?!
So. Sitting on the edge of Lake Erie late on a Thursday night in August, a lake that has won my heart truly, madly and deeply, I’ve come to decide that I’m going to spend most of next year somewhere down here in Southwestern Ontario, somewhere between Stratford and the Windsor-Essex area, in some little town I have yet to decide upon, trying to write my next novel. I know I’ll need to be close to this lake, though, so that’ll help me decide. No rush. The unfoldment is the thing that’s interesting now.
The dogs will come, too, and I’ll find someone to sublet my little brick house in Sudbury. The novel I want to write is (weirdly) the sequel to the first one, which doesn’t even have a home yet. Still, it needs to be written, and it’s sitting in my heart and head these days, stewing itself into being. This fall, in terms of my writing, I’ll work on finishing two “in progress” plays, hopefully see my first full play read dramatically in Sudbury sometime in November, launch my next poetry book (Some Other Sky) with Black Moss Press in Sudbury in mid-October, go to a poet laureate reading in Windsor in mid-October, and wait to see if anyone wants to take up my first novel, The Donoghue Girl, and give it a place to live for a while on paper.
I’m grateful to the Sudbury Catholic District School Board, for giving me the second semester of the 2017-18 academic year off to pursue some literary dreams I’ve had for my whole life. I would kind of like to see a really full spring (with green in March or April!) for the first time in my life, to be honest, so the notion of spending time with open skies, the sounds of waves on my favourite Canadian Great Lake, and living in a place where I can walk for miles without having to navigate a lot of snow and ice, well, it’s pretty tempting. I love Sudbury and the North, but I also know I need to venture out for a little while. I’m thinking a lot, these days, of Gwendolyn MacEwen’s “Dark Pines Under Water,” and how she writes that second stanza that so speaks to my heart:
Explorer, you tell yourself, this is not what you came for
Although it is good here, and green;
Sometimes, just sometimes, the things that you’ve known the longest, the things that are most familiar and safe and ‘green’ to you, are the things you need to venture away from for a while so you can grow and learn. Does that make sense? It might seem backwards, if you think with your head instead of your heart and soul. It would have, if you’d told me I’d try this a few years ago. I would’ve curled up, and ‘turtled,’ and said emphatically, “No, I’m fine where I am, in my little world.” Now, though, I want to follow Wagamese’s suggestion. In Embers, he writes, so wisely: “My scars have the strange ability to remind me that my past was real, and what is real offers knowledge, understanding, and an ultimate forgiveness.” Then he writes about what home means to him: “Home is the culmination of my hopes and dreams and desires. Home is a feeling in the centre of my chest of rightness, balance and harmony of the mind, body and spirit…It is also knowing that home is what I bring to it, and in that it is the sure and quiet knowledge that home is within me and always was.”
So, I’m sitting here tonight, on the North Shore of Pelee Island, listening to the waves break at the end of this ‘yard,’ thinking that I’ve come through some very dark places, and so very grateful for the lessons those places have taught me. It’s a miracle I’m alive. Nine years ago, I walked around with suicidal ideation all day and night as a constant companion. Some people will never know darkness, or will only come to it later in life, or will avoid it because it frightens them. For me, the darkest places have made me bloom and value each and every breath I take, and every person I meet. I don’t understand it, not logically, but I do know, in my heart, that it’s good and true. When you step into yourself, when you push against fear, which is really all imagined and an illusion if you read Richard Wagamese or even some of the Buddhist teachings, then you bloom like a lotus, out of the muck and rubbish.
And once you bloom…well…happily…there’s no going back. J
peace,
k.
P.S. Keep your eyes on the @SudburyPoet Twitter account because I’ll be launching my new author website soon and starting a pretty funky little interactive thing that everyone can take part in called “Bookish Selfies.” You’ll see. I’m not done yet…and we’re going to have some fun with poetry this fall! J